A couple weeks ago, I kicked off my Oscars 2024 (also known as the 96th Academy Awards) predictions with a look at Picture and Director. Now it’s time to peek at the performances we might be talking about in a few months. There’s still little to be known for most of these films. A trailer here, rumors of a private screening there. But some have debuted at Sundance or are scheduled to play at Cannes. Soon, we will have more than just a hunch to go by.
In the meantime, let’s look over some of the bigger Oscar prospects and give an initial shot of predicting the four acting categories.
This just might be the year of Bradley Cooper. Cooper has nine nominations across four different categories (Picture, Actor, Supporting Actor, and Adapted Screenplay) and is yet to win. A nomination for Maestro – in which Cooper plays the legendary composer, Leonard Bernstein – would be his fourth in the Lead Actor category. An overdue performer starring in a passion project biopic about a huge figure in the industry? Sign me up for his award chances. Along with a variety of other nominations he could receive for Maestro (Cooper produced, directed, and co-wrote the film), it’s his performance that I will be betting on to bring him his first statue. It doesn’t hurt that Cooper gives a memorable voice performance as Rocket Raccoon in James Gunn’s third installment in the Guardians of the Galaxy franchise this year as well.
Speaking of biopics, we will once again have an abundance to choose from this year. Following Oscar films like Elvis and Blonde, 2023 will continue to bring us a few prospects playing real-life people. The one I am most excited about? Cillian Murphy, as the titular theoretical physicist in Christopher Nolan’s Oppenheimer. Murphy – who has starred in supporting roles in a bevy of Nolan films – steps into a lead part, playing the enigmatic and morally oppressed scientist responsible for the development of the atomic bomb. Lots of emotional material to work with, and a subject that often interests Academy voters. I am beyond excited to see Murphy tackle this portrayal.
Other films with biopic centers include Michael Mann’s Ferrari, with Adam Driver as the famed Italian car maker; Joaquin Phoenix as French dictator Napoleon Bonaparte in Ridley Scott’s Napoleon; Helen Mirren as Golda Meir, the Israeli Prime Minister, in Golda; Regina King plays Shirley Chisholm, America’s first Black congresswoman, in John Ridley’s Shirley; Ryan Destiny stars as a boxer competing for the Olympics in Rachel Morrison’s directorial debut, Flint Strong; Kingsley Ben-Adir plays reggae legend Bob Marley in Reinaldo Marcus Green’s Bob Marley: One Love; and Colman Domingo plays gay civil rights activist Bayard Rustin in George C. Wolfe’s Rustin. There are many more lined up, but you get the gist.
While Cooper is reaching the overdue status, he’s hardly the most long delayed of this year’s contenders. I’d argue that title for Annette Bening, a four-time nominee who is yet to win. She plays Diana Nyad, the real-life long-distance swimmer famous for being the first to swim from Cuba to Florida. Could be an inspirational sports film, perhaps like King Richard or The Blind Side – two films that won Oscars for their lead performances.
Bening might be up against some tough competition, though. Fantasia Barrino is the likely frontrunner out the gate. She is playing Celie in The Color Purple, a role made famous by Whoopi Goldberg in the 1985 Spielberg film. Blitz Bazawule is adapting the Broadway musical version which saw LaChanze (2006) and Cynthia Erivo (2016) win Tonys for their performance as Celie. An awards-worthy performance in an awards-worthy film could be lights out for the rest of the field.
Another overdue thespian, Willem Dafoe, will have a chance with Yorgos Lanthimos’ Poor Things. Dafoe plays Dr. Goodwin Baxter, a brilliant and unorthodox scientist who brings a young woman (Emma Stone) back from the dead. Sounds like something along the lines of a Dr. Frankenstein type role.
Those are the main contenders I will be hoping deliver the goods. Of course, who we are rooting for all changes once the pictures have been seen.
Here are my initial predictions in the four acting categories. You can find the full lists on the Good As Gold page here.
Lead Actor
- Bradley Cooper (Maestro)
- Cillian Murphy (Oppenheimer)
- Colman Domingo (Rustin)
- Leonardo DiCaprio (Killers of the Flower Moon)
- Adam Driver (Ferrari)
Lead Actress
- Fantasia Barrino (The Color Purple)
- Natalie Portman (May December)
- Annette Bening (Nyad)
- Emma Stone (Poor Things)
- Greta Lee (Past Lives)
Supporting Actor
- Willem Dafoe (Poor Things)
- Jesse Plemons (Killers of the Flower Moon)
- John Magaro (Past Lives)
- Austin Butler (Dune: Part 2)
- Ryan Gosling (Barbie)
Supporting Actress
- Danielle Brooks (The Color Purple)
- Taraji P. Henson (The Color Purple)
- Lily Gladstone (Killers of the Flower Moon)
- Viola Davis (Air)
- Jodie Foster (Nyad)
Who are some of your early acting predictions?
41 Comments
Cillian Murphy is certainly one of the most talented actors. That’s great, but how often does a Christopher Nolan film produce an acting nom.
I’d be happy to see Bradley Cooper win an Oscar, but for some reason I thought it’d be in the supporting category.
I don’t know how the Diana Nyad film will truly land, as Susie Maroney famously was the first person who did Cuba-Florida (in a shark cage) about sixteen years before in less than half the time Nyad took to do it. By the time Nyad did it, there was additional tech not available in Maroney’s time that made a shark cage unnecessary; Nyad’s was no less unassisted and had an entire team and great expense involved, and indeed the swim despite its publicity still hasn’t been officially ratified.
I think the angle for the Nyad story (rather than any record claims) is her age, her backstory, her personality, her four decade experience and continual failures on her road to that special day in 2013. That’s the film; her life and doing the swim “her way”. Given the nature of long-distance open water swimming, the writing/directing/editing might also have a chance to impress in making the narrative engaging.
yeah, agree
“…in John Ridley’s Golda.”
I think you meant “Shirley” not “Golda”.
Murphy has the added hurdle of being a Nolan character, who are historically cold and therefore not typical Academy fodder.
“Sounds like something along the lines of a Dr. Frankenstein type role.”
I put him in supporting for that reason.
Here are my picks as of today:
Best Actor:
Leonardo DiCaprio – Killers of the Flower Moon (Apple TV+)
Colman Domingo – Rustin (Netflix)
Cillian Murphy – Oppenheimer (Universal)
Paul Giamatti – The Holdovers (Focus)
Michael Fassbender – The Killer (Netflix)
Best Actress:
Fantasia Barrino – The Color Purple (Warner Bros)
Regina King – Shirley (Netflix)
Saoirse Ronan – Blitz (Apple TV+)
Natalie Portman – May December (TBD)
Alicia Vikander – Firebrand (TBD)
Best Supporting Actor:
Willem Dafoe – Poor Things (Searchlight)
Mark Ruffalo – Poor Things (Searchlight)
Matt Damon – Oppenheimer (Universal)
Ryan Gosling – Barbie: The Movie (Warner Bros.)
Tommy Lee Jones – The Burial (Amazon)
Best Supporting Actress:
Danielle Brooks – The Color Purple (Warner Bros)
Lily Gladstone – Killers of the Flower Moon (Apple TV+)
Julianne Moore – May December (TBD)
Kaimana – Next Goal Wins (Searchlight)
Viola Davis – Air (Amazon)
Good catch on Shirley! Thanks!
No prob Mark!
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I’ve been contemplating Fantasia Barrino’s chances for The Color Purple. Elsewhere I’ve written that Color Purple and Oppenheimer are my two big choices for being overhyped disappointments Awards wise. I don’t think I can get behind it. I think one reason that the musical netted two Best Actress winners is because “I’m Here” is a great song for women who can give it the powerful vocals the song requires. This works great on the stage. Less so in the movies. Although Jennifer Hudson did strike gold with And I’m Telling You I’m Not Going even with a subpar version! Overall I think the movie will be a disappointment critically and the untested Barrino will be partly blamed for it even if that would be unfair.
There’s something about this Bernstein Biopic that really bothers me. I kind of half-joked about it before, but there were no Jerome Robbins, Stephen Sondheims or other West Side Story participants in the cast listing on imdb and since West Side Story is his one achievement people truly remember, I thought that his professional career will be sidelined. Well, now there is a Jerome Robbins listed, so I have some hope. Although not enough since they were longtime collaborators. In a famous quote, Sondheim more or less stated they were figuratively married.
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Julia Roberts is a guaranteed Best Actress nominee.
Her niece will be very happy to hear that.
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I wouldn’t add Adam Driver for Ferrari to the Lead Actor quintet without adding his fictional wife, Penelope Cruz, in Supporting Actress… there’s a long story of the wife being also nominated (Hotel Rwanda, King Richard, etc). I think that’s a typical Oscar pack
Best Actress (in alphabetical order):
Fantasia Barrino, The Color Purple
Jessica Lange, Long Day’s Journey Into the Night
Greta Lee, Past Lives
Natalie Portman, May December
Emma Stone, Poor Things
Best Actor (in alphabetical order):
Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Paul Giamatti, The Holdovers
Cillian Murphy, Oppenheimer
Are they really going with both The Color Purple and Long Day’s Journey Into Night? Both feel like been there done that.
Long Day’s Journey Into Night has been adapted so many times, and this role has already been nominated for an Oscar.
And The Color Purple — yes, this is the adaptation of the Broadway musical, but so many people (online) are angry about Whoopi Goldberg’s loss 40 years later. Would Hollywood really give the Best Actress Oscar to the actress playing the same part in a musical?
Not to mention that to many musical aficionados, the musical is kinda meh, with the music being the weak link.
My guess is that both films will bomb. They might get some filler nods, especially in acting, but that’s it.
Off-topic: Cannes schedule (competiton and some other big name titles)
May 16th: Jeanne du Barry
May 17th: Monster, Le Retour, Occupied City, Strange Way of Life, Anselm
May 18th: Youth (Spring), Black Flies, Indiana Jones and the Dial of Destiny
May 19th: About Dry Grasses, The Zone of Interest, Four Daughters, Eureka, Pictures of Ghosts, Conann
May 20th: Banel & Adama, May December, Killers of the Flower Moon
May 21st: Anatomy of a Fall, Firebrand
May 22nd: Fallen Leaves, Club Zero, As Filhas Do Fogo, Man in Black, Close Your Eyes
May 23: Asteroid City, Kidnapped, Kubi
May 24th: The Pot-au-Feu, A Brighter Tomorrow
May 25th: Perfect Days, Last Summer, In Our Day
May 26th: La Chimera, The Old Oak
These are probably the most thrilling one and a half weeks of the cinematic year!
My most anticipated title:
Nuri Bilge Ceylan’s 197-minute long epic About Dry Grasses (Kuru Otlar Üstüne)
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I think Jessica Lange might get in for Long Day’s Journey into Night (Best Actress).
Saw yesterday GotGv3 and… ***** / A
… I could see it, nominated for BP in a weak year. Obviously Marvel Studios’ bet if they want to even try, and depending on Disney’s overall reception of their films, kind of the obvious choice, focusing the campaign on the extremely likeable ensemble (Bakalova and Sean Gunn’s rivalry being one of the unexpected highlights of the film, but I am a dog owner, so I can’t be partial on that), and aim for SAG Ensemble and GG Comedy as way to secure attention at a filler BP nom… the screenplay is actually great, moving, touching, with great character growth and a sensation that the trilogy is closed, without ever going the easy way. A great depart for Gunn and actually interesting and promising open ways for the future of the characters.
Oscar chances (but nothing locked up by any means):
Score – John Murphy is overdue
VFX
Sound
Make Up – kind of obvious
Production Design
Costume
Film Editing
Longshot
Adapted Screenplay – in a weak year, it could
Picture
It certainly it is not going to hurt Bradley Cooper’s Oscar ambitions with Maestro. The reviews are good enough – even if not glowing – and b.o. is going to secure it being a hit.
Marvel movies with great reviews haven’t gotten this kind of awards attention, so I don’t see how one with lukewarm reviews is going to. It would have to be a box office sensation, which it isn’t.
what makes it special…
1) it’s moving. The only truly moving MCU film we have had so far is Black Panther: Wakanda Forever, and it was because of Chadwick Boseman’s death, the actual true emotions didn’t come from the film itself
2) it’s the closure of James Gunn’s trilogy, and it ends in a really high note. GotG may be the best regarded franchise of the MCU… Iron Man (despite my admiration for part III) went with diminishing returns with critics, Captain America went up but had the highlight on the 2nd, Thor had the highlight in the 3rd but 4th actually crashed (even thought I actually dig it!) all the credit that Waititi had with the 3rd and Ant Man had the peak on the 1st… just by comparison, vol. 3 is an unquestionable success, with the extra bonus of being considered an auteur trilogy, as Gunn’s personality impregnates everything
3) It’s extremely satisfying and balanced on all fronts.
Again, I consider it an extreme longshot, but in May I would never discard a well regarded box office hit, that hits the right notes that can do well with awards circuits…
What is GotGv3?
Guardians of the Galaxy vol. 3
By this site’s standards Chris Pratt has “saved” Hollywood and theaters and should win all the Oscars.
GoG opened 32 million behind the last one and won’t even sniff $400 million. That is not a rabble-rousing success.
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because it was word already before the release, that it would be darker and dealing with things that would turn many audiences off. Having seen it, the numbers are magnificent, considering how difficult to watch some scenes – as told in advanced! – are, for animal lovers.
The numbers are magnificent??? “You’re traveling thru another dimension, a dimension not only of sight and sound but of mind…”
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for a dark film dealing with animal torture? Think twice.
Now you’re qualifying the “magnificent” numbers. The truth is franchise fatigue is setting in on a lot of these products and people will be looking elsewhere for fresh and new.
I loved the film and am advising workmates who are parents to think twice about taking their sons and daughters to see the film, which has plenty of heartbreaking moments. More than franchise fatigue – there was a lot of expectation to see Gunn close the trilogy – I blame on the really underwhelming offerings of many Phase 4 films and specially the distrust that Quantummania generated, as a product placement of phase four that mostly forgot about the supposed starring characters of the actual franchise.
Jesus’s first language is not English. He’s very nice, you shouldn’t be so nasty to him.
Jesus is a great guy and very knowledgeable.
In no way have I paid attention as I would never attempt to watch it. Just going by box office.
My point was to bring up the Top Gun/ Tom Cruise $$ worship from last year on this site. I was making a joke. Pratt will get near or clear 1B domestically from 2 films so I thought it fit. HTF am I having to explain myself here?
And yes I know that jokes should be funny, mine wasn’t.
Sorry to be the bearer of horrible news, but Jamie Foxx’s condition seems to be worrysome and the family is reportedly getting ready for the worst, I read online.
Hopefully it’s a fake. He’s so young and talented…
Well his daughter just gave a statement that he’s back home. This is all very suspicious. Jeremy Renner was in the hospital half dead and gave an IG report of his hospitalization and recovery. If all was well with Jamie Foxx, he too would be making IGs.
I think it’s worse than we’re told. I’m thinking massive stroke and he cannot speak or move. I had a cousin who spent about 3 yrs in a nursing home from a massive stroke.
Michael Schumacher, anyone?
It’s too early to look at “best” anything. Wait until September.
Anywho, I just saw a movie that could be a contender: Blackberry.
I hope Jodie Foster gets a supporting nomination that she deserved for the Mauritainian,High hopes to that this could be Bening’s year.
Cooper seems a logical Best Actor pick and Barrino seems also like a frontrunner even sight unseen,Mirren’s Golda got bad reviews recently so i’d count her out and the Academy doesn’t love her she has been snubbed 3 times since 2009.
Not sure how anyone leaves DeNiro off their short list at this point. If you’ve read the book, you know.
I read the book last year and thought it was so interesting.
The Color Purple always seemed like prime awards target to me, but somebody who saw the musical swore the music was so terrible that it would immediately kick the movie out of contention. We shall see.